Pianist, band leader, and composerEdward Simon doesn’t interpret tradition so much as invite it into the room, pour it a drink, and let it stretch out. Venezuela: Latin American Songbook Vol. 2 is intimate, unhurried, and deeply grounded—jazz trio music that breathes with the cadence of memory. With bassist Reuben Rogers and drummer Adam Cruz locked into a conversational flow, Simon treats Venezuelan forms not as museum pieces, but as living language. The trio creates a contemporary soundscape that breathes new life into these wonderful Latin American classics.

“Presagio” is a declarative opener built on Venezuelan merengue pulse. Cruz and Rogers establish the rhythmic spine early, letting Simon glide over it with calm authority. Nothing rushed, nothing forced—this is about feel, not flash. Engineered by Jeff Cressman, the album has a feel and sonic depth that is fitting for these storied songs. 

“Atardecer” creates images of twilight music in the purest sense. Simon leans into lyricism here, letting space do as much work as the notes. Rogers’ bass is especially patient, shaping the mood from underneath. Simon’s piano work adds suspense and drama, and the musician’s interaction borders on telepathy. 

The album’s centerpiece, “Dama Antañona,” is a slow-burning, eighteen-minute epic that never feels indulgent, unfolding like a long story told by someone who knows exactly where it’s going. Jazz improvisation as architecture. The shifting dynamics and passion will leave you breathless. 

“Anhelante” shifts gears ever so slightly. It’s compact and emotionally direct. Simon’s touch is feather-light, Cruz subtly reshaping the groove beneath him. A reminder that restraint can hit harder than virtuosity.

“El Vuelo de la Mosca” (feat. Jackeline Rago) finds the rhythm section taking flight once more.  Jackeline Rago’s cuatro and maracas add texture and authenticity without tipping into folklore cosplay. The trio stays agile, dancing rather than driving.

The album closer, “Sabana,” is earthy, reflective, and grounded. The song closes ‘Venezuela: Latin American Songbook Vol. 2’ by circling back to mood over motion, Simon sounding completely at home inside this musical terrain. Roger’s bowed bass is emotionally inviting, while Cruz’s brushwork and cymbals further inspire Simon’s passionate piano touches. 

Venezuela: Latin American Songbook Vol. 2 isn’t about hybridization—it’s about continuity. Jazz and Latin American forms aren’t fused here; they’re already inseparable. The album, out now via ArtistShare, is another feather in the cap of the NAACP Image Award-winning artist and an invitation to explore his heady catalog.